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  • Image 14 Loch Arkaig in Lochaber. The treasure of Loch Arkaig, sometimes known as the Jacobite gold, was a large amount of specie provided by Spain to finance the Jacobite rising in Scotland in 1745, and rumoured still to be hidden at Loch Arkaig in Lochaber. (Full article...)
    Loch Arkaig in Lochaber.

    The treasure of Loch Arkaig, sometimes known as the Jacobite gold, was a large amount of specie provided by Spain to finance the Jacobite rising in Scotland in 1745, and rumoured still to be hidden at Loch Arkaig in Lochaber. (Full article...)
  • Image 15 The intimate portrait of his second wife Margaret Lindsay by Allan Ramsay, 1758 Scottish art in the eighteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects, in the eighteenth century. This period saw development of professionalisation, with art academies were established in Edinburgh and Glasgow. Art was increasingly influenced by Neoclassicism, the Enlightenment and towards the end of the century by Romanticism, with Italy becoming a major centre of Scottish art. The origins of the tradition of Scottish landscape painting are in the capriccios of Italian and Dutch landscapes undertaken by James Norie and his sons. These were further developed by Jacob More, who added a romantic sensibility to the Scottish landscape. Alexander Nasmyth helped found the Scottish landscape tradition and was highly influential as a teacher in Edinburgh on the subsequent generation of artists. John Knox linked it with the Romantic, historical myth-making novels of Walter Scott and was one of the first artists to take an interest in the urban landscape of Glasgow. Aberdeen-born John Alexander and William Mossman were the leading portrait artists of the first half of the century. Allan Ramsay emerged as the leading portrait painter of the mid-century and to the royal family, noted for his intimate representations. Towards the end of the century Henry Raeburn emerged as the leading portraitist and one of the first artists to spend the majority of their career in Scotland, extending his range to leading figures of the Enlightenment and most famous for his depiction of the Skating Minister. (Full article...)
    The intimate portrait of his second wife Margaret Lindsay by Allan Ramsay, 1758

    Scottish art in the eighteenth century is the body of visual art made in Scotland, by Scots, or about Scottish subjects, in the eighteenth century. This period saw development of professionalisation, with art academies were established in Edinburgh and Glasgow. Art was increasingly influenced by Neoclassicism, the Enlightenment and towards the end of the century by Romanticism, with Italy becoming a major centre of Scottish art.

    The origins of the tradition of Scottish landscape painting are in the capriccios of Italian and Dutch landscapes undertaken by James Norie and his sons. These were further developed by Jacob More, who added a romantic sensibility to the Scottish landscape. Alexander Nasmyth helped found the Scottish landscape tradition and was highly influential as a teacher in Edinburgh on the subsequent generation of artists. John Knox linked it with the Romantic, historical myth-making novels of Walter Scott and was one of the first artists to take an interest in the urban landscape of Glasgow. Aberdeen-born John Alexander and William Mossman were the leading portrait artists of the first half of the century. Allan Ramsay emerged as the leading portrait painter of the mid-century and to the royal family, noted for his intimate representations. Towards the end of the century Henry Raeburn emerged as the leading portraitist and one of the first artists to spend the majority of their career in Scotland, extending his range to leading figures of the Enlightenment and most famous for his depiction of the Skating Minister. (Full article...)
  • Image 16 1930 portrait (aged 36–37) Jessie Stephen, MBE (19 April 1893 – 12 June 1979) was a twentieth-century British suffragette, labour activist and local councillor. She grew up in Scotland and won a scholarship to train as a teacher. Family finances dictated otherwise, leading to her becoming a domestic worker at the age of 15. She became involved in national labour issues as a teenager, via organisations such as the Independent Labour Party and the Women's Social and Political Union. Stephen moved to London during World War I and in the 1920s she toured the United States and Canada, where she held meetings with the public including migrant English domestic workers. Stephen was elected as a local councillor several times and stood as a candidate in general elections. After moving to Bristol in the 1940s she became the first woman president of Bristol Trades Council. She was appointed MBE in 1977 and her life is commemorated by a blue plaque in Bristol. (Full article...)

    1930 portrait (aged 36–37)

    Jessie Stephen, MBE (19 April 1893 – 12 June 1979) was a twentieth-century British suffragette, labour activist and local councillor. She grew up in Scotland and won a scholarship to train as a teacher. Family finances dictated otherwise, leading to her becoming a domestic worker at the age of 15. She became involved in national labour issues as a teenager, via organisations such as the Independent Labour Party and the Women's Social and Political Union. Stephen moved to London during World War I and in the 1920s she toured the United States and Canada, where she held meetings with the public including migrant English domestic workers.

    Stephen was elected as a local councillor several times and stood as a candidate in general elections. After moving to Bristol in the 1940s she became the first woman president of Bristol Trades Council. She was appointed MBE in 1977 and her life is commemorated by a blue plaque in Bristol. (Full article...)
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  • Image 18 A Scottish bagpiper, carved c. 1600 Music in early modern Scotland includes all forms of musical production in Scotland between the early sixteenth century and the mid-eighteenth century. In this period the court followed the European trend for instrumental accompaniment and playing. Scottish monarchs of the sixteenth century were patrons of religious and secular music, and some were accomplished musicians. In the sixteenth century the playing of a musical instrument and singing became an expected accomplishment of noble men and women. The departure of James VI to rule in London at the Union of Crowns in 1603, meant that the Chapel Royal, Stirling Castle largely fell into disrepair and the major source of patronage was removed from the country. Important composers of the early sixteenth century included Robert Carver and David Peebles. The Lutheranism of the early Reformation was sympathetic to the incorporation of Catholic musical traditions and vernacular songs into worship, exemplified by The Gude and Godlie Ballatis (1567). However, the Calvinism that came to dominate Scottish Protestantism led to the closure of song schools, disbanding of choirs, removal of organs and the destruction of music books and manuscripts. An emphasis was placed on the Psalms, resulting in the production of a series of Psalters and the creation of a tradition of unaccompanied singing. Despite the attempts of the Kirk to limit the tradition of secular popular music, it continued. This period saw the adoption of the highland bagpipes and the fiddle. Ballads, some of which probably date from the Middle Ages, existed as part of a distinctive oral tradition. Allan Ramsey advocated the creation of a national musical tradition and collaborated with Italian composer and cellist Lorenzo Bocchi on the first Scottish opera the Gentle Shepherd. A musical culture developed around Edinburgh and a number of composers began to produce collections of Lowland and Highland tunes grafted on to Italian musical forms. By the middle of the eighteenth century a number of Italian musicians and composers were resident in Scotland and Scottish composers of national significance had begun to emerge. (Full article...)
    A Scottish bagpiper, carved c. 1600

    Music in early modern Scotland includes all forms of musical production in Scotland between the early sixteenth century and the mid-eighteenth century. In this period the court followed the European trend for instrumental accompaniment and playing. Scottish monarchs of the sixteenth century were patrons of religious and secular music, and some were accomplished musicians. In the sixteenth century the playing of a musical instrument and singing became an expected accomplishment of noble men and women. The departure of James VI to rule in London at the Union of Crowns in 1603, meant that the Chapel Royal, Stirling Castle largely fell into disrepair and the major source of patronage was removed from the country. Important composers of the early sixteenth century included Robert Carver and David Peebles. The Lutheranism of the early Reformation was sympathetic to the incorporation of Catholic musical traditions and vernacular songs into worship, exemplified by The Gude and Godlie Ballatis (1567). However, the Calvinism that came to dominate Scottish Protestantism led to the closure of song schools, disbanding of choirs, removal of organs and the destruction of music books and manuscripts. An emphasis was placed on the Psalms, resulting in the production of a series of Psalters and the creation of a tradition of unaccompanied singing.

    Despite the attempts of the Kirk to limit the tradition of secular popular music, it continued. This period saw the adoption of the highland bagpipes and the fiddle. Ballads, some of which probably date from the Middle Ages, existed as part of a distinctive oral tradition. Allan Ramsey advocated the creation of a national musical tradition and collaborated with Italian composer and cellist Lorenzo Bocchi on the first Scottish opera the Gentle Shepherd. A musical culture developed around Edinburgh and a number of composers began to produce collections of Lowland and Highland tunes grafted on to Italian musical forms. By the middle of the eighteenth century a number of Italian musicians and composers were resident in Scotland and Scottish composers of national significance had begun to emerge. (Full article...)
  • Image 19 USS Tucker off the Norfolk Navy Yard, Portsmouth, Virginia, 2 March 1937 USS Tucker (DD-374) was one of 18 Mahan-class destroyers built for the United States Navy and was commissioned in 1936. Tucker's main battery consisted of five dual-purpose 38 caliber 5-inch (127 mm) guns. First assigned to the United States Battle Fleet in San Diego, California, Tucker operated along the West Coast and in the Hawaiian Islands. After participating in naval exercises in the Caribbean Sea, she returned to duty in Hawaii. She then went on a goodwill tour to New Zealand, returning to Hawaii and docking at Pearl Harbor. When the Japanese attacked Pearl Harbor on 7 December 1941, Tucker was undergoing an overhaul and was not attacked. Soon afterward, she began escorting convoys between the West Coast and Hawaii. Tucker was then tasked with escort duty to islands in the South Pacific. (Full article...)

    USS Tucker off the Norfolk Navy Yard, Portsmouth, Virginia, 2 March 1937

    USS Tucker (DD-374) was one of 18 Mahan-class destroyers built for the United States Navy and was commissioned in 1936. Tucker's main battery consisted of five dual-purpose 38 caliber 5-inch (127 mm) guns.

    First assigned to the United States Battle Fleet in San Diego, California, Tucker operated along the West Coast and in the Hawaiian Islands. After participating in naval exercises in the Caribbean Sea, she returned to duty in Hawaii. She then went on a goodwill tour to New Zealand, returning to Hawaii and docking at Pearl Harbor. When the Japanese attacked Pearl Harbor on 7 December 1941, Tucker was undergoing an overhaul and was not attacked. Soon afterward, she began escorting convoys between the West Coast and Hawaii. Tucker was then tasked with escort duty to islands in the South Pacific. (Full article...)
  • Image 20 Lord Ninian Crichton-Stuart Lieutenant-Colonel Lord Ninian Edward Crichton-Stuart (15 May 1883 – 2 October 1915) was a Scottish senior officer in the British Army and Member of Parliament. He was killed in action in the First World War. The second son of the Honourable Gwendolen Mary Anne Fitzalan-Howard and John Crichton-Stuart, 3rd Marquess of Bute, he entered the army in 1903 and served in the Queen's Own Cameron Highlanders and the Scots Guards as a lieutenant. After marrying he began a career in politics, serving first as a councillor on Fife County Council, Scotland. His family having close connections to the city of Cardiff in Wales, he fought and lost the January 1910 election there as a Liberal Unionist candidate. The resulting hung parliament led to a second election in December 1910, in which Crichton-Stuart won the seat. In 1912, he took command of the 6th (Glamorgan) Battalion, The Welch Regiment. Upon the outbreak of the First World War, he volunteered his unit for service and joined the British Expeditionary Force on the Western Front. After eleven months on the front line, he was shot in the head and killed when leading his men in an attempt to repel a German counter-attack on 2 October 1915 during the Battle of Loos. He was one of 22 MPs that were killed during the conflict and the only serving MP from Wales to be killed. (Full article...)

    Lord Ninian Crichton-Stuart

    Lieutenant-Colonel Lord Ninian Edward Crichton-Stuart (15 May 1883 – 2 October 1915) was a Scottish senior officer in the British Army and Member of Parliament. He was killed in action in the First World War. The second son of the Honourable Gwendolen Mary Anne Fitzalan-Howard and John Crichton-Stuart, 3rd Marquess of Bute, he entered the army in 1903 and served in the Queen's Own Cameron Highlanders and the Scots Guards as a lieutenant. After marrying he began a career in politics, serving first as a councillor on Fife County Council, Scotland. His family having close connections to the city of Cardiff in Wales, he fought and lost the January 1910 election there as a Liberal Unionist candidate. The resulting hung parliament led to a second election in December 1910, in which Crichton-Stuart won the seat.

    In 1912, he took command of the 6th (Glamorgan) Battalion, The Welch Regiment. Upon the outbreak of the First World War, he volunteered his unit for service and joined the British Expeditionary Force on the Western Front. After eleven months on the front line, he was shot in the head and killed when leading his men in an attempt to repel a German counter-attack on 2 October 1915 during the Battle of Loos. He was one of 22 MPs that were killed during the conflict and the only serving MP from Wales to be killed. (Full article...)
  • Image 21 Scafell Pike in the Lake District in Cumbria. Scafell Pike is the highest mountain in England, the 257th-highest mountain in the British Isles on the Simms classification, the 138th-highest mountain on the Marilyn classification, and the 46th-highest mountain on the P600 classification. Scafell Pike has the 13th-greatest "relative height" (or prominence) in the British Isles. It is also classed as a HuMP, a Furth, a Hewitt, a Nuttall, a Wainwright, a Birkett, and a County Top. The mountains and hills of the British Isles are categorised into various lists based on different combinations of elevation, prominence, and other criteria such as isolation. These lists are used for peak bagging, whereby hillwalkers attempt to reach all the summits on a given list, the oldest being the 282 Munros in Scotland, created in 1891. A height above 2,000 ft, or more latterly 610 m, is considered necessary to be classified as a mountain – as opposed to a hill – in the British Isles. With the exception of Munros, all the lists require a prominence above 15 metres (49.21 ft). A prominence of between 15 and 30 metres (49.21 and 98.43 ft) (e.g. some Nuttalls and Vandeleur-Lynams), does not meet the International Climbing and Mountaineering Federation (UIAA) definition of an "independent peak", which is a threshold over 30 metres (98 ft). Most lists consider a prominence between 30 and 150 metres (98.43 and 492.1 ft) as a "top" (e.g. many Hewitts and Simms). Marilyns, meanwhile, have a prominence above 150 metres (492.1 ft), with no additional height threshold. They range from small 150-metre (490 ft) hills to the largest mountains. Prominences above 600 metres (1,969 ft), meet the P600 (the "Majors") classification, which is the UIAA international classification of a "major" mountain. (Full article...)
    Scafell Pike in the Lake District in Cumbria. Scafell Pike is the highest mountain in England, the 257th-highest mountain in the British Isles on the Simms classification, the 138th-highest mountain on the Marilyn classification, and the 46th-highest mountain on the P600 classification. Scafell Pike has the 13th-greatest "relative height" (or prominence) in the British Isles. It is also classed as a HuMP, a Furth, a Hewitt, a Nuttall, a Wainwright, a Birkett, and a County Top.


    The mountains and hills of the British Isles are categorised into various lists based on different combinations of elevation, prominence, and other criteria such as isolation. These lists are used for peak bagging, whereby hillwalkers attempt to reach all the summits on a given list, the oldest being the 282 Munros in Scotland, created in 1891.

    A height above 2,000 ft, or more latterly 610 m, is considered necessary to be classified as a mountain – as opposed to a hill – in the British Isles. With the exception of Munros, all the lists require a prominence above 15 metres (49.21 ft). A prominence of between 15 and 30 metres (49.21 and 98.43 ft) (e.g. some Nuttalls and Vandeleur-Lynams), does not meet the International Climbing and Mountaineering Federation (UIAA) definition of an "independent peak", which is a threshold over 30 metres (98 ft). Most lists consider a prominence between 30 and 150 metres (98.43 and 492.1 ft) as a "top" (e.g. many Hewitts and Simms). Marilyns, meanwhile, have a prominence above 150 metres (492.1 ft), with no additional height threshold. They range from small 150-metre (490 ft) hills to the largest mountains. Prominences above 600 metres (1,969 ft), meet the P600 (the "Majors") classification, which is the UIAA international classification of a "major" mountain. (Full article...)
  • Image 22 John Mylne, painted by an unknown artist around 1650 John Mylne (1611 – 24 December 1667), sometimes known as "John Mylne junior", or "the Younger", was a Scottish master mason and architect who served as Master Mason to the Crown of Scotland. Born in Perth, he was the son of John Mylne, also a master mason, and Isobel Wilson. Practising as a stonemason, he also took on the role of architect, designing as well as building his projects. He was one of the last masters of Scottish Renaissance architecture, before new styles were imported by his successors. Alongside his professional career, he also served as a soldier and politician. He married three times but had no surviving children. (Full article...)

    John Mylne, painted by an unknown artist around 1650

    John Mylne (1611 – 24 December 1667), sometimes known as "John Mylne junior", or "the Younger", was a Scottish master mason and architect who served as Master Mason to the Crown of Scotland. Born in Perth, he was the son of John Mylne, also a master mason, and Isobel Wilson.

    Practising as a stonemason, he also took on the role of architect, designing as well as building his projects. He was one of the last masters of Scottish Renaissance architecture, before new styles were imported by his successors. Alongside his professional career, he also served as a soldier and politician. He married three times but had no surviving children. (Full article...)
  • Image 23 Forth Bridge in July 2022 The Forth Bridge is a cantilever railway bridge across the Firth of Forth in the east of Scotland, 9 miles (14 kilometres) west of central Edinburgh. Completed in 1890, it is considered a symbol of Scotland (having been voted Scotland's greatest man-made wonder in 2016), and is a UNESCO World Heritage Site. It was designed by English engineers Sir John Fowler and Sir Benjamin Baker. It is sometimes referred to as the Forth Rail Bridge (to distinguish it from the adjacent Forth Road Bridge), although this is not its official name. Construction of the bridge began in 1882 and it was opened on 4 March 1890 by the Duke of Rothesay, the future Edward VII. The bridge carries the Edinburgh–Aberdeen line across the Forth between the villages of South Queensferry and North Queensferry and has a total length of 8,094 feet (2,467 m). When it opened it had the longest single cantilever bridge span in the world, until 1919 when the Quebec Bridge in Canada was completed. It continues to be the world's second-longest single cantilever span, with a span of 1,709 feet (521 m). (Full article...)

    Forth Bridge in July 2022

    The Forth Bridge is a cantilever railway bridge across the Firth of Forth in the east of Scotland, 9 miles (14 kilometres) west of central Edinburgh. Completed in 1890, it is considered a symbol of Scotland (having been voted Scotland's greatest man-made wonder in 2016), and is a UNESCO World Heritage Site. It was designed by English engineers Sir John Fowler and Sir Benjamin Baker. It is sometimes referred to as the Forth Rail Bridge (to distinguish it from the adjacent Forth Road Bridge), although this is not its official name.

    Construction of the bridge began in 1882 and it was opened on 4 March 1890 by the Duke of Rothesay, the future Edward VII. The bridge carries the Edinburgh–Aberdeen line across the Forth between the villages of South Queensferry and North Queensferry and has a total length of 8,094 feet (2,467 m). When it opened it had the longest single cantilever bridge span in the world, until 1919 when the Quebec Bridge in Canada was completed. It continues to be the world's second-longest single cantilever span, with a span of 1,709 feet (521 m). (Full article...)
  • Image 24 Scottish minister and his congregation, c. 1750 Scottish religion in the eighteenth century includes all forms of religious organisation and belief in Scotland in the eighteenth century. This period saw the beginnings of a fragmentation of the Church of Scotland that had been created in the Reformation and established on a fully Presbyterian basis after the Glorious Revolution. These fractures were prompted by issues of government and patronage, but reflected a wider division between the Evangelicals and the Moderate Party. The legal right of lay patrons to present clergymen of their choice to local ecclesiastical livings led to minor schisms from the church. The first in 1733, known as the First Secession and headed by figures including Ebenezer Erskine, led to the creation of a series of secessionist churches. The second in 1761 led to the foundation of the independent Relief Church. In 1743, the Cameronians established themselves as the Reformed Presbyterian Church, remaining largely separate from religious and political debate. Of independent churches from England that were established in the seventeenth century only the Quakers managed to endure in to the eighteenth century. Baptist chapels were re-established in the middle of the century and, although Scotland initially appeared fertile ground for Methodism, it failed to expand as quickly as elsewhere in the Great Britain and Ireland. A number of minor Scottish sects developed, such as the Bereans, Buchanites, Daleites and Glassites. (Full article...)
    Scottish minister and his congregation, c. 1750

    Scottish religion in the eighteenth century includes all forms of religious organisation and belief in Scotland in the eighteenth century. This period saw the beginnings of a fragmentation of the Church of Scotland that had been created in the Reformation and established on a fully Presbyterian basis after the Glorious Revolution. These fractures were prompted by issues of government and patronage, but reflected a wider division between the Evangelicals and the Moderate Party. The legal right of lay patrons to present clergymen of their choice to local ecclesiastical livings led to minor schisms from the church. The first in 1733, known as the First Secession and headed by figures including Ebenezer Erskine, led to the creation of a series of secessionist churches. The second in 1761 led to the foundation of the independent Relief Church.

    In 1743, the Cameronians established themselves as the Reformed Presbyterian Church, remaining largely separate from religious and political debate. Of independent churches from England that were established in the seventeenth century only the Quakers managed to endure in to the eighteenth century. Baptist chapels were re-established in the middle of the century and, although Scotland initially appeared fertile ground for Methodism, it failed to expand as quickly as elsewhere in the Great Britain and Ireland. A number of minor Scottish sects developed, such as the Bereans, Buchanites, Daleites and Glassites. (Full article...)
  • Image 25 The Jocky Wilson Cup (officially the PartyPoker.com Jocky Wilson Cup for sponsorship) was a professional darts team tournament that took place at the Braehead Arena in Glasgow, Scotland, on 5 December 2009. This one-off tournament, which was named after Jocky Wilson, a two-time world darts champion, was the last of the eight non-ranking Professional Darts Corporation (PDC) events of the 2009 season. The tournament was contested by two nations of two players each. The winning nation was the first country to earn four points over a five-match series – four singles fixtures and one doubles game. Phil Taylor and James Wade of England won the competition and whitewashed their opponents Gary Anderson and Robert Thornton of Scotland 6–0. Wade won the first game against Anderson 6–4; Taylor beat Thornton 6–0 in the second. Wade and Taylor defeated their opponents in the doubles match 6–2 for the overall victory and won their final two singles matches 6–4 over their Scottish opponents. (Full article...)
    The Jocky Wilson Cup (officially the PartyPoker.com Jocky Wilson Cup for sponsorship) was a professional darts team tournament that took place at the Braehead Arena in Glasgow, Scotland, on 5 December 2009. This one-off tournament, which was named after Jocky Wilson, a two-time world darts champion, was the last of the eight non-ranking Professional Darts Corporation (PDC) events of the 2009 season. The tournament was contested by two nations of two players each. The winning nation was the first country to earn four points over a five-match series – four singles fixtures and one doubles game.

    Phil Taylor and James Wade of England won the competition and whitewashed their opponents Gary Anderson and Robert Thornton of Scotland 6–0. Wade won the first game against Anderson 6–4; Taylor beat Thornton 6–0 in the second. Wade and Taylor defeated their opponents in the doubles match 6–2 for the overall victory and won their final two singles matches 6–4 over their Scottish opponents. (Full article...)
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